Stone, brick, earth, wood
  • pl
  • en
  • de
  • ua
Built or not built? i.e. ambitious plans and the realities of fortress development. Since its beginnings Zamość was to be
The phantom-building. “Portrayed” by J.P. Lelewel is one of the great, modern, but never finished caponiers  in front of Bastion II, IV and in front of the connecting curtain.
an ideal town and fortress. All subsequent engineers and military architects tried to implement this idea. General Jan Mallet-Malletski, the author of a modernization plan of Zamość of 20 December 1825, presented a very ambitious and modern concept. 22 years later, in 1847, Colonel Berezowski made the most precise and evocative plan of Zamość Fortress ever. It repeated the older plan but included such details as planting every single tree and bush on the embankments and making fortress gardens. It was an ideal plan of an ideal fortress with a harmonious landscape, beautiful if unreal. The oddest thing of all is that the best illustrator of Zamość Fortress Jan Paweł Lelewel, whose some water-colours represent the real appearance of the fortress faithfully, gave free rein to his imagination elsewhere, illustrating something that was not there but was to have been. In this way, a coherent, evocative and never fulfilled vision of an ideal fortress was made for the last time in the history of Zamość. Due to lack of money, not one of the planned masonry redoubts with casemates was built; these redoubts were to have been the heart of huge lunettes* in front of curtain walls* joining Bastions* IV, V, VI and VII. We can admire the vision as presented by Lelewel but we should not trust it. Most probably Captain Engineer Jan Paweł Lelewel fell victim to his fascination with fortifications and Zamość.

  • The example of the outlook  and idealistic vision of the reconstruction of Zamość. The project by Jan Mallet-Malletski of 1825.  History verified feasibility and realism of this plan..

  • The reliable plan of the state of the fortifications of Zamość in the year of war preparations, 1854. None of the designed four great redoubts that were inside the lunettes of the northern and eastern front has been  realized. Inside the lunette that was across from curtains VI and VII, as the only one in the fortress.

    None of the designed four great redoubts that were inside the lunettes of the northern and eastern front has been realized. Inside the lunette that was across from curtains VI and VII, as the only one in the fortress.

  • The phantom-building. “Portrayed” by J.P. Lelewel is one of the great, modern, but never finished caponiers  in front of Bastion II, IV and in front of the connecting curtain..

  • Another phantom-building in Zamość. The redoubt was never finished inside of the lunette in front of the curtain VI and VII..